Tony Leach gospel music workshop (May 4, 2011)

Gospel Music In Real Time: Strategies, Resources and Repertoire
a workshop offered by Dr. Tony Leach
Wednesday, May 4, 2011 from 4:00 PM-6:00 PM in the newly renovated Auditorium at BFA St. Albans

This session will focus on rehearsal strategies for presenting traditional and Contemporary
African American Gospel Music with choirs in junior high, high school, collegiate and church
settings. Repertoire for each level will be included. This workshop is sponsored by the
Vermont American Choral Director’s Association, and is free of charge to VT ACDA
members. Others wishing to participate can do so for a nominal fee of $30.00.

This workshop is sponsored by Vermont ACDA, and we hope you will consider attending. Dr. Leach is this year’s 2011 Vermont All State Music Festival Chorus Director, and is coming a day early to do this workshop for the choral community. Following the workship, we will all head down to One Federal (a wonderful restaurant in downtown St. Albans) for an enjoyable meal and camaraderie with colleagues and Tony. You really don’t want to miss this one! Below is a brief bio of this extraordinary choral musician!

All we ask is that you RSVP to Frank Whitcomb at facm @ aol.com, or, if you are not a member, please send Frank a check for $30.00, made out to Vermont ACDA, OR consider joining our organization at acda.org.

Please make sure you check the attached poster for more specific information concerning the workshop; this is an opportunity that you would not want to miss, and once again, one that is provided to YOU as a benefit of your ACDA Membership.


Tony Leach, associate professor of music and music education at The Pennsylvania State University, is director and founder of Essence of Joy, the Penn State University Choir and teaches undergraduate and graduate courses in choral music education. Leach holds a Ph.D. in music education and the M.M. in conducting from Penn State University, and the B.S. in Music Education from Lebanon Valley College, Annville, PA.

<img src=”http://music.psu.edu/sites/music.psu.edu/files/images/faculty/Leach.jpg” align=”left”Dr. Leach taught music in Maryland, Pennsylvania and New York City for fourteen years. His choirs have performed at festivals throughout the United States and Canada as well as tours of England, Scotland, Italy, Czech Republic, Hungary, Poland, Austria, Belgium, Luxemborg, France and South Africa. He also served for ten years as music consultant at the Maryland Summer Center For The Arts at Goucher College, Towson, MD. He has appeared as a guest conductor for choral festivals and workshops in Maryland, Florida, Pennsylvania, New Jersey, Utah, Vermont, Kentucky, Nebraska, North Carolina and Connecticut. International events include concerts, workshops and symposium presentations in Sweden, Venezuela, Manila (The Philippines), Taiwan and Japan. He was an accompanist for The United Negro College Fund Choir (NYC) and has accompanied the Howard University Concert Choir, Washington, D.C. Leach was co-conductor of the 2004 World Youth Choir sponsored by the International Federation of Choral Musicians in South Korea.

For 23 years, Leach served as music director of the Capital Area Music Association, Harrisburg, PA. He is a past national chair of the American Choral Directors Association Repertoire & Standards Committee on Multi-cultural & Ethnic Perspectives. Currently, he serves as minister of music and organist at New Bethel Baptist Church, Washington, DC.
Dr. Leach has presented seminars and workshops for numerous professional and music organizations in America and beyond. Some of the seminar topics have included the following: Print Resources in Black Gospel Music for Choral Directors, Two Generations of Burleigh: Harry T. Burleigh and Glenn E. Burleigh, Black Gospel Music: Strategies and Techniques for Performance and Non-Performance Music Classes. His article, Does Gospel Music Have a Place In General Music? was published in General Music Today, Winter, 1993. His seminar A Spiritual For The New Millennium was presented at the Second IFCM Multicultural and Ethnic Conference held in Jokkmokk, Sweden in 2003. New arrangements of African American Spirituals by Moses Hogan, Marvin Curtis, Rosephanye Powell, Roland Carter, Keith Hampton, Glenn Burleigh and Robert Morris were included in this presentation. As a recitalist, Dr. Leach has presented organ dedications and concerts in the eastern region of the United States as well as Ohio. He is also a piano accompanist for numerous faculty and student recitals at Penn State. He is a member of The American Guild of Organists, American Choral Directors Association, Music Educators National Conference, and The Gospel Music Workshop of America. His composition Walk Together Children is published by Earthsongs.


Choir Performance for 2012 ACDA (April 15, 2011 deadline)

I wanted to remind you all one more time that April 15, 2011 is the deadline for submission of your applications for Choir Performance at the Eastern Division ACDA Conference this coming year. This Conference promises to be exciting, broad based and more inclusive than any in recent memory! You may also have some information, special interest or talent that you might like to share through an Interest & Research Session.

The opportunity exists to have many of us involved, and if you are of the nature to do so, submit an application of your Choir for performance or yourself for an Interest and Research Session and see what happens! I would like to see Vermont represented in a very positive and visible way! We have much talent here and many fine choirs: Let’s show the Eastern Division what is happening in Vermont! Don’t question your worth or ability to compete! Apply now!!

Additionally, Honor Choir application deadlines are on JUNE 15, 2011…still another opportunity to have our wealth of student talent showcased by membership in these ensembles! Providence is a vibrant, exciting and beautiful city that is virtually in our back yard considering the locations we generally have to go to for an Eastern Division Conference! Our student, adult and choir participation should be at an all time high for this event!!

Online applications can be accessed at http://acdaeast.org/providence

Sincerely,
Frank Whitcomb

Vermont students at ACDA Chicago, March 2011

At the recent ACDA national conference, the following students participated in select ensembles.

Our congratulations to all the students and their teachers/mentors!


Children’s Honor Choir
from St. Johnsbury (Susan Cherry, teacher)
Sarah Piper
Molly Forester
from Upper Valley (Beck Luce, teacher)
Omega Haehnel
Tess Snyder
Kathy Sherlock-Green, teacher
Elizabeth Sachsse, VT
Eleanor Green, NH

Women’s Honor Choir
Alexandra Cline
Alyssa Korol (St. Johnsbury Academy, Alan Rowe, teacher)

Conducting Competition Choir under Rodney Eichenberger (and the conducting competitors)
from Castleton (Sherrill Blodget)
Samantha Funk
Kevin Mucha
Amy Newton
Jessica Pierpont
Rebecca Scelza
Thomas Townsend-Pitt
Eddie Wilkin

Madrigal Festival 2010 – schedule, details

Madrigal Festival Schedule 2010
see also Concert/Ticket info

8:20-8:40am Essex HS rehearses in sanctuary

8:40-9:00am BHS rehearses in sanctuary

9:00-9:20am Arrival at No. Ave. Alliance Church for other schools

9:30-12:15 Large group rehearsal with Ms. Hayes

12:15-1:15
Lunch (students bring bag lunch—eat in cafeteria)
Teachers (ACDA board members will eat in a different room for a meeting)
*Vergennes HS will rehearse in the sanctuary followed by
*Mississquoi HS

1:15-3:20 Large group rehearsal resumes

3:20pm Students should move their belongings to their assigned school room
and clean the sanctuary for the concert

3:30-7:15pm Individual school group rehearsals and bussing downtown
(Bus is provided courtesy of VT-ACDA/dinner on your own)

3:30-3:50 Rutland
3:50-4:10 Mill River
4:10-4:30 St. Johnsbury
4:30-4:50 Mt. Mansfield
4:50-5:10 CVU
5:10-5:30
5:30-5:50 So. Burlington
5:50-6:10 Colchester
6:10-6:30 Brattleboro
6:30-6:50 North Country

7:00 Doors open for concert

7:20 School groups sit in designated audience space (there will be signs)

7:30 Concert begins (likely to end by 9:30pm)

Concert Order: Room Assignments:

North Country  Cafeteria/Gym
Vergennes      Classroom 5
So. Burlington Classroom 7
CVU            Classroom 4
St. Johnsbury  Youth Building 1
Missisquoi     Classroom 8
Rutland        Youth Building 2
Essex          Choir Room 11
Colchester     Classroom 9
Burlington     School Library 10
Mill River     Church Library 1
Mt. Mansfield  Cafeteria/Gym

Mass (combined) Choir

Madrigal Festival update (Friday, Dec. 10, 2010)

The Vermont ACDA madrigal festival for high school choristers is this Friday, December 10, 2010. After a day of rehearsals for more than 250 students from 14 different schools, the public is invited to the concert at 7:30pm at the North Avenue Alliance Church in Burlington, with Kathleen Hayes, guest conductor.

Admission prices:
$8.00 adults; $6.00 students/sr. citizens; $20.00 family of 3+

see also schedule/details for daytime schedule & locations

Children’s Choir Festival (Grades 6-9) (May 2011)

Mark your calendars for the 2011 Children’s / Middle School Choir Festival:

May 13-14, 2011  at the St. Johnsbury School.

This festival is for students in grades six through nine with unchanged voices.

————————————————————

Vermont ACDA announces plans for the twelfth annual Vermont ACDA Children’s  / Middle School Honor Choir Festival to be held May 13th and 14th, 2010 at the St. Johnsbury School in St. Johnsbury, VT.  We are pleased this year to have Mr. Anthony Trecek-King, Artistic Director of the Boston Children’s Chorus, as our guest conductor. His information follows this invitation.

Members of Vermont  ACDA are invited to audition up to fifteen of their students to participate. These students should be in grades six, seven, eight, and nine for the 2010-2011 school year and have an unchanged voice. They must be members of their school choir, community children’s choir, or church choir. The singers you choose should be willing to be music ambassadors for excellence.

Again, this year, non-ACDA choral directors in Vermont are encouraged to submit up to eight members of their school or church choirs. There is a one – time $30 non-member fee to participate.

Students will be selected by teacher recommendation.  Please follow the application instructions carefully and do not miss the deadline of January 21, 2011. Failure to adhere to deadlines may result in your students not being allowed to participate in the 2011 VT ACDA Children’s Honor Choir. Be certain that your singers and their parents have fully read, understand and sign the statement of obligation. You should return a copy of the application to the parent for their future information. Teachers will be notified of student’s participation by February 11, 2011. A $35.00 participation fee will be due on or before April 8, 2011. Checks should be made out to VT ACDA.

We are excited about this upcoming event!  Remember to return the enclosed application form by January 21th to Susan Cherry, 49 Frost Ave. St. Johnsbury, VT 05819.  You may also call (802) 748-2538 if you have any questions.

Sincerely,

VT Children’s Honor Choir Committee
Susan Cherry, Chair

Children’s / Middle School Honors Choir Registration 2011 form (Word doc)


As the Artistic Director of the Boston Children’s Chorus, Anthony Trecek-King has found a venue to share his passion for choral music with a new generation of musicians. Called “young and extremely talented” by Keith Lockhart, Mr. Trecek-King believes that excellent choral music can and should be enjoyed by everyone. During his short tenure at the Boston Children’s Chorus, the choir has quickly earned a reputation as an ensemble of high musical excellence and received glowing reviews. The Boston Globe calls the choir “angelic and dazzling” while His Majesty King Abdullah II of Jordan heralds them as “superb.” Federico Cortese from the New England String Ensemble lauds BCC as “one of the emerging forces in Boston music life.” Under Mr. Trecek-King’s leadership, the Boston Children’s Chorus has performed with the Boston Pops under the direction of John Williams as well as Keith Lockhart for the Fourth of July Celebration at the Esplanade. BCC’s annually televised Dr. Martin Luther King, Jr. tribute concert has hosted the Chicago Children’s Choir and the Young People’s Chorus of New York City and has quickly become a tradition in New England for celebrating the holiday.

As a conductor and clinician, Mr. Trecek-King has earned international acclaim. He has most recently conducted the Queretaro (Mexico) Conservatory Choir and members of the Schola Cantorum de Venezuela, the Juvenil Schola Cantorum, and the University Simón Bolívar. He participated in both the Eric Ericson Masterclass in the Netherlands and the Eric Ericson Award, an international conducting competition, in Sweden. Mr. Trecek-King conducted Polifonija, a state chorus of Lithuania, on a national tour highlighting American music. He also spent a semester in residence at the Technische Universität Braunschweig in Germany as a guest conductor of the choir and orchestra. Under his direction, choirs have traveled to Jordan, Denmark, Germany, the Czech Republic, Lithuania, Latvia, Estonia, Russia, Finland, Canada, and Mexico, as well as across the United States. A versatile conductor with an orchestral background, Mr. Trecek-King has also led several orchestras, including the Omaha Symphony Orchestra. He is also active as a guest conductor and lecturer for academic institutions and professional organization conventions.

Under his leadership, the Boston Children’s Chorus has established a unique music education curriculum that utilizes the best of European and American models. With the ultimate goal of fostering independently thinking musicians, students as young as seven develop skills that include sight-reading and ear training. An important component in the BCC Model is the development of leadership and life-skills training. Singers are encouraged to take ownership of their participation in the Chorus through activities that include mentoring, holding leadership positions within the choir structure, fundraising, giving and hosting workshops, and giving back to the community through charity work. Mr. Trecek-King promotes these training techniques both nationally and internationally through seminars and clinics.

Born into an Air Force family from the South, Mr. Trecek-King spent most of his youth in North Dakota and Nebraska. He earned a Bachelor’s in Cello Performance from the University of Nebraska at Omaha and a Master’s in Orchestral Conducting from Florida State University. Before joining the Boston Children’s Chorus, Mr. Trecek-King was a Professor of Music at the University of Nebraska at Omaha and the Artistic Director of the Nebraska Choral Arts Society, Nebraska’s oldest and largest community choral organization. He lives with his wife, Melanie, and two cats in Hingham, MA.

High School Madrigal Festival (Dec. 2010)

Concert information may be viewed at Madrigal Festival Update (Fri, Dec. 10, 2010)
Rehearsal information schedule/details for daytime schedule & locations

The Vermont ACDA Mid-Winter High School Madrigal Festival will be held December 10, 2010, at the North Ave. Alliance Church in Burlington.

We welcome Kathleen Hayes as our guest conductor this year.

Choral Directors of High School vocal ensembles should be members of ACDA to participate. An e-mail was sent out in early October to teachers who have participated in the past.

RSVP to the Festival Coordinator, Glory Reinstein, at Essex HS along with your student names ASAP in order to receive music in a timely manner. Frank Whitcomb, the librarian, needs to assign a folder number to a name before sending music out. Your program and fee may be sent by the November 30 deadline. Please RSVP to Glory via e-mail or phone to receive the large ensemble music.

Glory’s info:

857-7000, x1581

greinstein @ ccsuvt.org

Tentative deadlines:

Participation Form due October 30

Program details (titles, composers, soloists, etc.) due November 30

Fees /Invoice due December 1


Here is a description of the event from 2009:

Registration is 9:15-9:45am with the mass choir rehearsal beginning at 10:00am. Please remind your students to bring a bag lunch. The next mass choir rehearsal will begin after lunch. Mid-afternoon through to 7:00pm, each individual school ensemble will be given 15-20 minutes stage time. Rotational bussing to downtown Burlington for dinner and shopping will also begin mid-afternoon with the final pick-up time at 7:15pm. If you have a preference for your stage time (between 3:30-6:45pm), let me know. I will try to accommodate. The concert will begin at 7:30pm and usually ends around 9:30pm. Each school presents a short program (2-3 pieces or 10 minutes including walk on and off time). The concert concludes with the mass choir pieces. Please choose your repertoire carefully as we are in a church, not that the music has to be sacred. If you have questions about your own repertoire, please seek advice from a veteran colleague. Most ensembles perform A Cappella music, however, there is a piano and organ in the sanctuary.

Please talk to your students about keeping the church sanctuary and the classrooms neat and tidy, as well as staying out of teacher desks, before arriving. We are lucky to have this church as our host and want to keep a good relationship with them. Students should bring their own water bottles and pencils. Music will be sent to each school as soon as the application is received. The music is already in and Frank has numbered them all, ready to send out when I give him the word. Any outstanding music or bills should be taken care of before Frank sends out your music.

It is important that teachers go over the music with students before the festival.

The VT-ACDA board voted to implement a few new rules for 2009:

1. $50.00 late fee per school for application, program notes and fee.

(regular fee $100.00)

2. If you have more than 22 members in your group, an additional fee of $10.00 per student will be expected.

Community Choir Festival (Feb. 2011) – Canceled

The Community Choir Festival, originally scheduled for February 12, 2011, has been canceled since an insufficient number of ensembles could participate at this time. We hope to be in touch with community choruses around the state in the future to check on their preferences for timing and content of a workshop or festival.
Read the rest of this entry »

Sherrill Blodget to present at Eastern Division Convention

Exploring the music of the Mexican Baroque: Introduction and performance suggestions for the newly edited Los Maitines de Nuestra Señora de la Concepción by Ignacio de Jerusalem (1768).
Sherrill Blodget, Castleton State College

In recent years the music of sixteenth to eighteenth century viceroyal Mexico has gained exposure through research and modern performance. Motets, Masses, and villancicos by composers such as Ignacio de Jerusalem, Juan Gutierrez de Padilla, Manuel de Zumaya, and Juan Garcia de ZŽspedes have been performed and recorded by ensembles worldwide. Despite this recent rise in popularity and ongoing research into these musical traditions, much of this music remains inaccessible to modern choral and orchestral ensembles due to a lack  of published editions and performance practice guides.

Ignacio de Jerusalem (1707-1769), maestro de capilla at the Mexico City Cathedral from 1750-1769, has been lauded as one of the most talented and important composers in eighteenth-century Mexico. Of his extensive output, which includes Matins settings, Vespers psalms, Latin motets, loas, villancicos, and several single- and double-choir Masses, the Matins services from his last decade are the most monumental in scale. The responsories include elaborate choral-orchestral settings and virtuosic concerted arias.

In an effort to make more of Jerusalem’s delightful music accessible to the public, my doctoral research focused on creating a historically informed performance edition of Los Maitines de Nuestra Se–ora de la Concepci—n (The Matins for Our Lady of the Conception) composed by Jerusalem in 1768.  The Matins, which previously existed only in manuscript, is scored for SATB choir and soloists, and a chamber orchestra of violins, trompas (baroque horns and trumpets), oboes, flutes, basso continuo, and organ. The music exemplifies Jerusalem’s exquisite compositional style, which combines the galant, late baroque, and individual traits. In this setting the invitatory, hymn, and Responsories 1, 3, 4, and 6, are scored for choir and chamber orchestra, with solo sections. Responsories 2, 5, and 7 are set as arias for tenor, soprano, and alto. The arias display the theatrical, operatic aspects of Jerusalem’s writing, contrasting the simpler choral style in the choral responsories and introductory movements. The combination makes it possible for ensembles of varying experience to successfully perform sections or all of the Matins.

Based on my edition, the premier modern performance of the Invitatorio and first two Nocturns of the Matins was given by the Arizona Choir as the capstone concert for the Second International Symposium on Latin American Music  “Exploring Exchange: Church and Theatre, Iberia and the Americas, Past and Present” at the University of Arizona in January, 2009.  The music was very well received. I am currently working on the final Nocturn and preparing the entire edition for publication in 2010.

At the Eastern Division ACDA Conference Research Paper Session (Source Studies in the Music of the Baroque Era, Friday 4:00pm) I will provide an overview of the Matins for Our Lady of the Conception and will discuss performance practice challenges and programming considerations for modern concert settings. In addition I will highlight aspects of preparing the edition, presenting slides of the manuscript and the Cathedral and Archive of Mexico City to put the work in the context of the glorious setting for which it was originally composed and performed. Through sharing my research I hope to encourage further performances of this glorious Matins, and to spark further interest in creating performance editions of the wealth of manuscripts remaining in the archives of the Mexico City Cathedral and elsewhere in Latin America.

Conferences, Festivals, Workshops

Opportunities abound for attending and participating in ACDA conferences and festivals. In addition to the Eastern Division Conference in Philadelphia in February 2010, we’re developing plans for the annual Children’s Choir Festival (April 9-10, 2010) alongside a new Community Choir Festival (May 2, 2010), Madrigal Festival (tbd), and a statewide ACDA conference in September 2010.

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